The word audience represents all those attending to a performance, with whatever senses, as a collective, implicitly with the shared emotions of a crowd. In theatre the audience, although usually outside the performance itself (extradiegetic) has an effect on the performance. All actors talk about this effect, the way the energy and behaviour of the audience affects their performance, hence “good, bad, lively, dead etc audiences”. Some theatre encourages audience participation to varying levels, bringing the audience as a whole, or members of it, into an intradiegetic position (inside the performance) even to a level that could be considered a form of co-authorship. This has implications for the way we think about narrative environments, where those who might be considered the audience are often inside the environment and therefore may, or may be caused to, experience the narrative intradiegetically.
Stuart Jonesedited 5 October, 2015 by Admin
The character who is at the centre of the drama and, typically, whose conflicts and actions drive it. From Greek tragedy, as dicussed by Aristotle in ‘Poetics’.
The protagonist is not necessarily a hero, they can be an anti hero (Hamlet, hero – Macbeth, anti-hero)